黃 萱 HUANG, Xuan 1995年生於台北。創作內容多為行為及錄像,以自身身體為材料,用簡單而持久的動作作為環境中測試的衡準,探勘日常裡許多隱微限制和生活作息的運作。也關注生活中物件與其功能,去發覺它們與人體姿勢、形象在使用中的相互關係,並試圖透過錯誤的使用來翻轉觀眾感知。近期展覽包括:「第4回霧島藝術之森大廳計畫 黃萱展- Around aground」,霧島藝術之森美術館,鹿兒島(2023);「分心」,PTT SPACE,台北,(2022);「光塵摺角」,絕對空間,台南(2023);「2222」,嘉義市立美術館,嘉義市,台灣(2022);「波蘭中介雙年展」,Spazio Thetis - Arsenale nord - Venezia Palazzina Modelli,威尼斯/ 格但斯克大軍械庫,格但斯克(2022)。 Huang Xuan was born in 1995 in Taipei, Taiwan. With most of her works being performance and film, she uses her own body as the material, and uses simple but persistent movements as a scale for testing in the environment, exploring many subtle limitations and the operations of routine in daily life. She also focuses on objects and their functions in life to discover their interrelationship with human gestures and images in use and tries to reverse the audience's perception through misuse. Huang Xuan was recently nominated for "4th Kirishima Lobby Project Huang Xuan- Around aground", Kirishima Open-Air Museum, Kagoshima (2023); "Space out", PTT SPACE, Taipei (2023); "Lighting of life", Absolute Space for the Arts, Tainan (2023); "2222", Chiayi Art Museum, Chiayi City (2022); "Mediations Biennale Polska", Spazio Thetis - Arsenale nord - Venezia Palazzina Modelli, Venice/ Zbrojownia Sztuki, Gdańsk (2022). |